Theatre Award for MS-DANCE FACTORY with "Mental Maps & Patterns" Quality continues in contemporary dance through again and again. Is hoped at least, and is grateful when extraordinary choreographies by early Ignorance or lack of risk decisions are thrown out of the race, they get the chance to assert themselves in national, international comparison. A few years ago, the organizers had hesitated in Leipzig to take up the excellent work "Blind Date" by Sophie Jaillet and Mario Heinemann in the program of the Dance Platform 2002, and the regret they should remain. This piece was previously been successful in Dresden, and it was in the U.S., the Excellence Award for Choreography of New York Fringe Festival.Nun, the German-Swiss Compagnie MS-DANCE WORKS with the "Mental Maps & Patterns" 18 Stuttgart Theatre Prize, endowed with 6000 € prize for the best production obtained. With a remarkable justification in his speech: ". We think it is the intellectually daring and aesthetically most self-contained work of the past few evenings, it takes in many ways, the highest risks in and makes a very unsentimental way, deeply affected." That sounds good , also in view of the fact that the dance platform in February 2006 in Stuttgart - declared to be of the right to present Germany's diverse dance scene surprisingly - had offered a total of less exciting. And nine months later, the Stuttgart Theatre Award as conscious risk-taking decision on "mental maps" and Mario Heinemann Sophie Jaillet Jaillet and goes: "There is a consistent, conceptually complex balancing act with a high crash potential. A quote from CG Jung may explain the disturbing thing about this piece: "The consciousness of acting like a man who has heard a suspicious noise in the basement and the attic hurry in order to determine that no thieves there is in reality, this cautious. But man is not married to the basement. " MS-DANCE FACTORY has married in the basement. "We know what the speech is the irritatingly exciting pieces have experienced in the dance this week. And it could be after two moderately attended performances at the Studio Theatre of the Cultural Palace of good and happy once again to the public imagine especially since the thought processes with an initial perception are far from over. That the roots especially Mario Heinemann Jaillet, but also lead by members of the company from Ariane Funabashi, Berit Jentzsch and Nina Patricia Hänel to Dresden, suspect now probably everyone, and it is expected, the Palucca school, where they at different times were trained as a dancer, Mario Heinemann intern with the choreographer trained at the "Ernst Busch" Berlin Drama School. It is said the long-standing former rector of the Dresden High School Dance Enno Markwart about him, "a choreographer with a sensitive wide dynamic range. His work is socially determined and art binds for him to social . Responsibility "That has not changed, and so sensual and intelligent dance productions remain rare in today's dance scene Gabriele Gorgas
source. DNN
Photos: Günter Kraemmer
0 comments:
Post a Comment