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The dance theater ms-dance factory has been awarded with the Stuttgart Theater Prize in 2006. The jury found the piece "Mental Maps & Patterns" (we reported) after the six-day competition of the independent dance scene Baden-Württemberg most convincing. The play was controversial, but also the "intellectually and aesthetically daring most closed labor" have been doing on the unsentimental way, deeply affected, told the jury. But just want Mario Heinemann and Sophie Jaillet, the last six years as a factory-ms-dancing freely in the region work as a choreographer: dance theater to think, not always easy to understand and quite bulky appearance. Mario Heinemann and Sophie Jaillet the complacency dare a little and go their own way to refuse. These innovative elements of the inter-regional and international guest performers company were worth 6,000 euros to the jury.

Source: Morgenweb

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MS-dance workshop at last duly appreciated in Germany

was long overdue as evaluating the company and its impressive productions all. Using Mental Maps & Patterns "has now folded, and finally, the excellent company already in the U.S. and in Germany due gefeiert.Es there is hope that quality will prevail in contemporary dance in Germany again. "... Dance involves more than just to reflect about themselves ...", said the brief comment of the choreographer. Heinemann Jaillet proves this with his choice of subjects and the resulting unique language of movement. With the new production "MENTAL MAPS & PATTERNS" He has succeeded where most fail his fellow choreographer: dance to create theater that makes zutieftst affected. To this end, the panel met at the awards ceremony in Stuttgart and described the unconventional and courageous way the choreographer on "Mental Maps & Patterns" with a quote from CG Jung: "Consciousness is behaving like a man who has heard a suspicious noise in the basement and the attic hurry in order to determine that no thieves are there. Has in fact not this cautious man, but married in the basement." MS-dance workshop has been married to the basement and earned enough reason recognition, "the presenter of the festival it took us but also something from the cellar brought up -.. and that requires skill and ability" can only hope that now the organizers have the courage muster include such now rare "treasures" in your programs.
January Kirsch, Berlin, 2007

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http://www.heidelberg-fotograf.de

Big Bair Brested Woman

bold dance theater about remembering and thinking patterns: MS-dance movement with "Mental Maps & Patterns". Frenetic applause

MS-DANCE FACTORY dance to victory. The dance theater
MS-dance work has been honored with the Stuttgart Theater Prize in 2006. The prize for the best production was developed by Dr. Susanne Eisenmann, Mayor of Stuttgart, presents. The jury found the piece "Mental Maps & Patterns" most convincingly to the six-day competition of the independent dance scene Baden-Württemberg, as the organizers announced on Monday. Although it is controversial, but also the "intellectually and aesthetically daring most closed labor" have been doing on the unsentimental way, deeply affected. In the play of Mario and Sophie Heinemann Jaillet processes the company including a work by Margret Eicher "On the use of patterns. With patterns of thinking people are trying to bring order to their thoughts - the labyrinth in our memories are not, however, based on geographic routes, but of experiences in the biography of the man. The grand prize and three other awards were presented on Sunday evening in the theater Stuttgart . Nina Kurzeja from Stuttgart and her company brought with "Play like the children," the special award for outstanding performance and 4000 €. The audience award (3000 €) went to the dancer Fabian Chyle from Stuttgart for "Noverre Nowhere", a Special Award for exceptional Christine Chu dance performance was in Stuttgart for her play "From the happiness of the Day" (2000 €). For the first time the awards were not awarded for a speech, but a dance theater production. The Stuttgart Theater price at which seven productions were invited, is the only prize competition for independent dance and theater companies from Baden-Wuerttemberg. The event should also draw attention to the "difficult situation of the independent dance groups in the southwest of Germany, who share with the independent theater scene, the modest funding of 130,000 euros", informed the organizers.

dpa / sir

Cervix Still Low And Hard At 5 Weeks

pacemaker Festival ended in front of a packed RängenFulminanter Final point: starts with an expressive choreography inspired the German-Swiss company "MS-DANCE FACTORY" at the end of this year's Pacemaker Festivals.Es and ends with the projection of images on bare skin. Until, however, from the strict black and white patterns is a colorful field of flowers, sent the five dancers, a disturbing look inside. In nine sequences they discover under the title "Mental Maps and Patterns of cognitive maps and models of the people. It is about ideas, faith and imagination as well as subconscious images that affect the routes of the people through life. Introduced by short texts translate projected dancers the patterns in motion. Synchronous, dressed in black and white uniforms and in front of a similar stringent stage, they develop intricate, almost acrobatic characters and expressive choreography to show a high level. Thoughtfully and with plenty of symbolism brought the German-Swiss company "ms-dance work" internal plans and models of the people on the stage of the space in the Ludwig Forum . Accents the light and the music that laid by subtle gradations in power and intensity of the messages untermalten.Besonders much emotional expressiveness of the artistic director of ms-dance works, Mario and Sophie Jaillet Heinemann, last in the chapter: the home. Faster and faster and breakneck whirl the body across the stage, they end up shaken by wild twitching on the floor. After this ecstatic outburst at last comes to color match, the dancers take off their uniforms and strict merge with the colorful Hintergrund.Frenetischer ApplausFür their subtle aesthetic and thoughtful performance of the public company and its leaders with frenetic applause. How all this year's pacemaker performance was also "Mental Maps and Patterns" then before the packed ranks statt.Veranstaltungsleiter Rick Takvorian drew a positive balance: "We had another great response and many visitors who come just for the pacemaker to Aachen, the creator. very different Productions to take into the program and to streamline the event again, to emphasize the festival character, is risen. "Takvorian, which now is responsible for the events of the entire city of Aachen, in the next year designing the twelfth pacemaker Festival. At the same time he wants to incorporate the experiences from this work in new projects. This is a series with the working title "Voices" part, which is scheduled for the autumn and the voice and its different manifestations is dedicated. If you missed the pace performances, may relate to individual dance "surprises" in the course of the year and the exhibition of pictures by photographer Andreas Herrmann . Forward

Sabine Busse
Source: Aachener Nachrichten
Photos: Günter Kraemmer

Mount Blade Defeating

18th Stuttgart Theater Award to MS Tanzwerk

On Sunday evening was the 18th Stuttgart Theatre Award with the official award ceremony in the theater in Stuttgart over. For the first time the awards in a total amount of € 15,000 have been awarded for a dance theater production from the independent scene, Baden-Württemberg. Winner of the grand prize, worth € 6,000 MS-DANCE FACTORY is for Mental Maps & Patterns. The new dance theater orientation of the Theatre Award proved not only in artistic terms as joy. They also reached an immediate open-minded and curious audience, which - regards what the audience - even moved slightly above the level of the previous year. its objective of creating an awareness to the dire situation of free dance groups, has also been achieved. The Stuttgart Theatre Award nominees not only offered the new perspectives. He was above all the manufacturing under precarious circumstances independent dance scene in Baden-Württemberg buoyancy and recognition. The Stuttgart Theater price increased so that a spirit of optimism in the southwest, which has been the Dance Platform Germany 2006 in Stuttgart, home theater has become noticeable. That moved back a bit, also underlined by Petra von Olschowski (Art Foundation of Baden-Württemberg) moderated panel discussion entitled "Dance on the Move - networks of tomorrow" with Walter Heun (JOINT ADVENTURES, Munich), Hans Traut (Tanztribühne, Karlsruhe, Germany), Lior Lev (dancer, Stuttgart, Germany) and Wolfgang Graf (International Dance Festival, Freiburg). As can be expected either from government or from sponsors page to a significant increase in grants, the makers place their hopes in particular to new and smart structures. An important step in this direction was the establishment of the Bavarian-Swabian organizer network Local Area Network Dance South this summer.

Source: ZDF Theater Channel

Is Hemo Rage Black A Steroid?

Cryptic associations

For the MS-dance works project "Mental Maps & Patterns," the studio theater in the Cultural Palace offered almost ideal space. The bright floor, white, black, thanks ornamental flags emblems resembling trailer, a projection screen in the background define an open cube. The prologue shows the birth of a maiden and her guise as a fifth team - black pants, white blouses pludrige in shirts cut with sewn-on black ties. A Initialisierungsritual, for exercises in formation, thinking and structures according to the same company between then, now and at some point. During embossing mutate thinking in verbal projection of real geography of memory, Instincts and subconscious to literature, morality, faith / belief to schießlich to dock at the concept of home stays, abstract movement necessary. Restrained dynamics, smoothness have something irresistible. From elementary forms of movement, ascending from the bottom, figures / parts interact, are interdependent in the sense of a physical-biological-structural minimalism, relationship and not value-free, fascinating in a disturbing way. Mario Heinemann's choreography seduced with disciplined imagination. Perfectly suited to be mystical and modern sounds and large-scale video projections. Deeply moving clouds sky pseudobjektiverende, top view-doubled dancers, ornaments, in the end a fantastically colorful flowering meadow testify abysmal, atmospheric associations. Inserted Dog Dancing scenes (striking dressage: Nicole Gaertner) provide their own key comment. The intellectually clear analysis of natural and social-related bonds is broken ironic and ambiguous, where it threatens to tilt toward delusion and psychosis, the ensemble gets into collective ecstasy formed, to memorial groups. But the structures are too fragile, the subject too deep to get to the bottom. Ultimately, the purpose of opening up that provokes reflection rather than prescriptive forethinking is. The concept of home remains standing, ultimately (also) for human searches between dictatorship and chaos.

Tomas Petzold
Source: DNN
Photos: Günter Kraemmer

Newfoundland Dog Genital Size

... For such a sophisticated way, sensual and consistent dance theater is precious, as the arbitrariness of dance everywhere, making it painfully felt.

Who wants to hit it big, may understandably fail. Because for too long a look into the sky known in itself carries the risk of overlooking irregularities on the ground. 800 minutes dance has it the World Dance Day and in honor of the city of Dresden on the occasion of the 15th Dance Week actually somehow given, but would have been necessary, but finally agreed for 800 visitors. But as the show paying customers spills in the cafeteria of the old post office on the road Königsbrück not a hotbed of success zusammen.Auch the time structure with constantly changing appearances shifted soon so hang that the buck stopped with Masha and her friend. The brave leader (s) by program and city 's history had to push increasingly stretching to time be sealed holes thoughtfully. Your kind of interlude humor is not everybody's cup of tea, for long-term visitors but were the two oblique Pannike-Isermeyer-ballerinas that shape their proppers body so beautiful to eight, and almost two zeros and therefore wegtrippeln can unverzichtbar.Wer in the overcrowded planning Dance Week deficits, complained to the bot in the post canteen opportunity, after all losses to offset such effects. Although many do not even aroused the appetite for the completely missed meal, but otherwise - modified, reduced - was again to look good, that attracted the attention more. How about Janet Rühl & Arnd Müller who create with "Sangre Verde Green Blood" metaphor for a harmonious life with nature, or Megan Bridge, whose stage presence in Baroque without the presence of broken video collection is hat.Es crazy how the lists for years before the Princes Solo "ferry" with Udo Zickwolf front of the glass facade of the post office building overlooking the New Town the place setting of altered almost. And Constanze Liege found in "Ice Age" on the glass front to get through to greening Opulence as well as the black bird silhouettes associate that this wall is impenetrable. As a late hour of excerpts from the play "Mental Maps & Patterns" by Sophie and Mario Heinemann Jaillet the amazing dancers of ms-tanzwerk finally created great excitement was knowing well how hard it is 800 minutes of dance entertaining to mix. As it is complicated in general, provide with a small crew and small budget, a dance festival on its feet, that works all around. So well organized, well advertised, is placed exactly. Not only the wealth it brings a lot more quality, uniqueness, weighting, and intelligent planning. The track "Mental Maps" example, as a wonderfully unsettling challenge of any festival deserves to be listed in the Small House. For such a sophisticated way, sensual and consistent dance theater is precious, as the arbitrariness of dance everywhere, making it painfully felt. Everything can be based on attendance and grades, certainly not anticipate. Nor that the studio theater in the Palace of Culture as a guest venue is not recommended. There should security conditions are created that can not be stolen during the performance ensembles in the stage and dressing room area. The question also remains as the admission fees are handled. Not everything is justified, makes sense. And only Few of those who are interested in the dance scene have so much money that they can make multiple visits.

Gabriele Gorgas
Source: DNN
Photos: Günter Kraemmer

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ovation / The "pacemaker festival celebrated with the fascinating company of" ms dance work, "topped off

-endorsed the conclusion of the "pacemaker" festival: The protagonists of "MS-DANCE FACTORY" caused a furious Finale.Aachen. Program Director Rick Takvorian, Event Manager of the Ludwig Forum and the city, it has done it again. He presented six companies with the amazing pace Festival - and a grand finale with the company in 2003 in Aachen inspiring "ms dance work". The 11th Festival took first time in compressed form instead, but the quality is right down the line. Whether dreaming, if provocative, loud or thoughtful - for every Tanzfan it was the right post. The minute-long standing ovations in sold-out as always "space" underlined the Forum: The German-Swiss group "ms dance work" Takvorian had once again proved the right touch "Mental Maps & Patterns rotates about cognitive (land). tries cards that man to obtain order of thought and action. Less geographically, more biographical, the five dancers put it, a network of memories and emotions into fascinating patterns of movement. Under the artistic Directed by Mario and Sophie Heinemann Jaillet was revealed in the 80-minute choreography has a structure of nine "Pattern" (patterns) that the rapprochement ventured to a notion of "homeland". The first scene was grim, and a touch of the occult. A naked body (school) uniforms, and white fabric panels form a frame around the stage. To be seen is a mix of arms and stigma: the ground plan of a prison building. And always there is an impressive game with lighting effects, video projections and music sequences. The ever-surprising change between humorous parts - especially the recurring small digressions in the so-called "dog dancing" by Nicole Gardner and her dog "Fly" - loosened the viewer with many a chuckle the first so gloomy scene. Paths, boundary lines and focal points are visually in the highly emotional and expressive dance. From the beginning of the melancholy tone the game goes to a stationary store in the middle of the end of a colorful sea of flowers with which the protagonists not only with their clothes their constraints, but also the "unification" to achieve with their idea of "home". An absolutely compelling performance with high precision that made once again wanting more. And there can be no doubt Takvorian: In 2007, it will of course continue with the pace "...

Anja Wassong

Source: Aachener Zeitung
Photos: Günter Kraemmer

Belladonna Has Herpes.

The photographer Günter Kraemmer and MS-DANCE FACTORY

Günter Kraemmer worked with as plenty of well-known choreographers and dance companies together (including William Forsythe, Hans van Manen, Dylan Newcomb, Amanda Miller, Mark Tompkins, Joachim Schloemer, rubato , Sasha Waltz, Regina Baumgart, Tom Plischke, Heading Theater, Company MS-dance work ...) and documented their work with his exceptionally sensitive view. His photographs go far beyond the pure aesthetics of common dance photography, as Kraemmer intensively deals with the artistic creative processes of choreographers and dancers, and thus the uniqueness of the work in his photographs at the center, but without accompanying the observed distance as a photographer to verlieren.Krämmer including the work of dance theater company MS-DANCE FACTORY last six years and accompanied by beautiful photographs his own view of the dance.
solo exhibition
ART-ORT/CONTAINER''''WATCH - Heidelberg 2006
ON THE MOUNTAIN - NEW YORK
Heidelberg 2003 - Heidelberg 2003 BLACK AND WHITE
HEIDELBERG - Heidelberg 2003
SHIMA/17/DANCER/DIALOGUE - Heidelberg 2002
CASTLE OWNER - Heidelberg 2001
GÜNTER Kraemmer - FOTOGRAFIA - Bytom and Warsaw 2001
DANCERS PICTURES - Heidelberg 2000
DANCE & MOVE - Heidelberg 1999 and 2000
PORTRAITS en passant - Heidelberg 1999
ROAD & NEW YORK - Heidelberg 1999
exhibitions space for the series XIII of the Heidelberg City Theater - Heidelberg 1998-2001
exhibitions to the international meeting of young dancers - Sandhausen 1998-2004
& ROCCO INI THE MOVIES - Heidelberg 1998
dance photography - Heidelberg 1998A
ISSUING production step IV of the traveling theater - Heidelberg 1997
PORTUGAL - Heidelberg 1997
JOSÉ LUIS Sultan - Heidelberg 1997
FACES OF DANCE - Heidelberg 1997
OUR BODIES ARE OUR CHANNELS - Heidelberg , Worms, Dublin, 1997
FACING DANCE - Sandhausen 1996
musicians - Wiesloch 1996
exposure images from Basel - Heidelberg 1995
carnival masks from Lucerne - Paris 1995
YEMEN: EACH GUEST IS WITH U.S. Refuge - Heidelberg 1994
MISSING SCULPTURES - Heidelberg 1993
NEW AGE MAN - Lucerne and Karlsruhe 1993
RENCONTRES - Montpellier 1993 LA BELLE ET LA BETE
- Pictures of Lucerne - Heidelberg 1992 and 1993
HEIDELBERG - Cambridge 1990
IN HEIDELBERG - Heidelberg 1989 and 1990

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Dance Theatre: Rewarded tightrope walk

Theatre Award for MS-DANCE FACTORY with "Mental Maps & Patterns" Quality continues in contemporary dance through again and again. Is hoped at least, and is grateful when extraordinary choreographies by early Ignorance or lack of risk decisions are thrown out of the race, they get the chance to assert themselves in national, international comparison. A few years ago, the organizers had hesitated in Leipzig to take up the excellent work "Blind Date" by Sophie Jaillet and Mario Heinemann in the program of the Dance Platform 2002, and the regret they should remain. This piece was previously been successful in Dresden, and it was in the U.S., the Excellence Award for Choreography of New York Fringe Festival.Nun, the German-Swiss Compagnie MS-DANCE WORKS with the "Mental Maps & Patterns" 18 Stuttgart Theatre Prize, endowed with 6000 € prize for the best production obtained. With a remarkable justification in his speech: ". We think it is the intellectually daring and aesthetically most self-contained work of the past few evenings, it takes in many ways, the highest risks in and makes a very unsentimental way, deeply affected." That sounds good , also in view of the fact that the dance platform in February 2006 in Stuttgart - declared to be of the right to present Germany's diverse dance scene surprisingly - had offered a total of less exciting. And nine months later, the Stuttgart Theatre Award as conscious risk-taking decision on "mental maps" and Mario Heinemann Sophie Jaillet Jaillet and goes: "There is a consistent, conceptually complex balancing act with a high crash potential. A quote from CG Jung may explain the disturbing thing about this piece: "The consciousness of acting like a man who has heard a suspicious noise in the basement and the attic hurry in order to determine that no thieves there is in reality, this cautious. But man is not married to the basement. " MS-DANCE FACTORY has married in the basement. "We know what the speech is the irritatingly exciting pieces have experienced in the dance this week. And it could be after two moderately attended performances at the Studio Theatre of the Cultural Palace of good and happy once again to the public imagine especially since the thought processes with an initial perception are far from over. That the roots especially Mario Heinemann Jaillet, but also lead by members of the company from Ariane Funabashi, Berit Jentzsch and Nina Patricia Hänel to Dresden, suspect now probably everyone, and it is expected, the Palucca school, where they at different times were trained as a dancer, Mario Heinemann intern with the choreographer trained at the "Ernst Busch" Berlin Drama School. It is said the long-standing former rector of the Dresden High School Dance Enno Markwart about him, "a choreographer with a sensitive wide dynamic range. His work is socially determined and art binds for him to social . Responsibility "That has not changed, and so sensual and intelligent dance productions remain rare in today's dance scene

Gabriele Gorgas
source. DNN
Photos: Günter Kraemmer

Whats Cytherea Real Name

New Dance Theatre Creation" Mental Maps & Patterns

mental maps are called are the cognitive maps, that we try to bring order into the labyrinths of thought Similar to spatial orientation, it also means, boundaries, locations, but the maps do not geographically driven, but bio-graphically. as a network of memories, images and perceptions they structure the individual with mental orientation "Mental Maps & Patterns." - under the direction of Mario and Sophie Heinemann Jaillet - which pursues the labyrinthine Companie topographies of these emotional and spatial patterns of thought. This time, let Heinemann Jaillet and others inspired by Margret Eicher's work "On the use of pattern and weave a bold connection between the places where our thinking is at home and the dazzling concept of" home ". In dance precision, irony and moments of surprise arises ms tanzwerk the profound and sometimes abysmal, which is used in this transformation of thought to the actual home country to the fore and we certainly affect ambivalent.

Dr.Clara Schlichtenberger

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Photos: Günter Krammer

Endocervical Polyps Pathophysiology

source subtilité! Le spectateur est touché à niveaux de pensées et d'of the rare element Solliciteren émotions, ou peut-être volontairement enfouis!

On December 9 j ' I was privileged to attend the competition of "Stuttgart Theaterpreis 2006." The impact felt during the presentation of MS-Tanzwerk, "Mental Maps & Patterns strongly motivates me to tell you about this extraordinary event. Impact shared by the public and the jury because the first prize was assigned. Under the artistic direction of Mario and Sophie Jaillet-Heinemann, the company is closely related to a specific direction. The images representing the choreographer's approach comes from a profound reflection leading us to "ours" as the central route and the development of a Mandala. What subtlety! The viewer is affected at levels of thoughts and emotions rarely asked, or perhaps deliberately buried! Is it provided a spectacle for the elite? I do not think so, because its precision choreography, the formidable talent for adaptation of the dancers and adventure Patiala in which one feels drawn, if broad public can find. I wanted to share with you my impressions that this high level does not fall into oblivion like so many others among the abundance of talent that we encounter during this often unsettling for the current culture.
Thanks in advance for your interest in this company.
Sincerely

Daisy Mottier-Beltrami
Geneva

pdf download
Photos: Günter Kraemmer

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Award-Winning Dance Theatre Cie. MS-DANCE FACTORY

The already award-winning company in the U.S. MS-dance workshop led by choreographer Mario Heinemann Jaillet is the current production of''Mental Maps & Patterns''for the Stuttgart Theatre Award nominated in 2006 and was won with this, Stuttgarter of the press and public alike celebrated and controversial piece of the Theatre Prize.

The peculiarity of the ms-cie tanzwerk lies in the cooperation between the two, complementary, and artists with its fruit in bold and uncompromising productions of incredible Precision, sensual language of movement and exceptional choreography. "Blind Date" for example, was awarded the Excellence Award for Choreography of New York Fringe Festival.

Source: dance-germany.org

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The dance theater Cie MS-DANCE FACTORY "Mental Maps & Patterns - Reviews

"With the German-Swiss squad had ms tanzwerk the organizers once again proved the right touch."
"An absolutely compelling performance with high precision that was once again hungry for more."
"An impressive game with expressive and emotional dance, lighting effects, video projections and music sequences."
"Heinemann continues to find amazing pictures "
" A brilliant finale. With an expressive choreography inspired the German-Swiss company ms-dance workshop at the end of this year's Pacemaker Festival
"The track" Mental Maps & Patterns "... wonderfully irritating. challenge of any festival. "
" ... the amazing dancers of ms-dance workshop brings back tension ... "
" Restrained dynamism, flexibility have something irresistible. "
" ... fascinating in a disturbing way. Mario Heinemann's choreography seduced with disciplined imagination. "
" are balanced perfectly on mystical and modern sounds and large Video projections. "
" For such kind of sophisticated, sensual and consistent dance theater is precious, as the arbitrariness of dance everywhere, making it painfully felt. "
" Fascinating physicality and intelligent production. For contemporary dance is not only designed emotion, but also crystal clear mind work "
" The highlight of the fascinating company of ms-dance work "
" Frenetic applause -.. For its subtle and aesthetic performance thoughtful of the public company and its leaders with frenetic applause .
"-endorsed conclusion of this year's festival pacemaker: the protagonists of ms-tanzwerk provided a rousing finale.

Source: Mannheimer Morgen according to this piece of the intellectually and aesthetically daring work is most closed of the past nights. It takes in many ways, the highest risks in buying and makes for a very unsentimental as deeply affected. It is a consistent, intellectually complex tightrope walk, with high crash potential. the inner logic of the piece is consistent, though not necessarily likeable. plan is a complex, intellectual to the sensual shape and thereby transferred to experience became. this proves to be the work not as illustration, but as the construction of a perceptual situation, appeals to the memory, stored codes etc.. dance, video, music, text, light, stage and costumes form a subtle, suggestive unit and create the outer frame for internal operations. it is about localities inner life, and how immediately the colonization by public signs and images subject. from the first to moment, the piece has an eerie atmosphere, which we consider, however, for not a political statement, but to see arise from the artistic experiment, which is in itself to do in itself a mapping process that allows no disinterested observer: Leaving the imagination as contaminierter. so hermetic of the evening comes along, but he transported generation and emerge as an open process. theme of the piece is a process in audience ... exemplified by the term 'homeland'. resembles the artistic act as a laboratory experiment, in which the audience is less than the leaders of raisonierende laboratory test subjects and experimental animals: the process is the immersion of a slow and a gradually escalating 'unreasonable'. This suggestion is based on a collective fundus images as it was used in the disciplining of totalitarian campaigns and strategies will continue to be used. work is a montage of pieces from an aesthetic and linguistic art, which are increasingly - and increasingly nasty - furnish the brain, certain boundaries routes, trig facilitations and become increasingly independent existence. stimulation leads landscapes forever unacceptable ways, in more and unacceptable, but it does absolutely logical. over dizzying precipices German away, we will pose with images, noises, sounds and words, fed and out, be seduced and manipulated. the dancing screw almost trance-like through ritualized and historicist patterns of movement and the music supports this ansatz.die own judgment - the stew to personally irritated or fired from ironic elements of the staging - gets spin increasingly ins, because the piece is shaped by two opposing movements: affirmation and subversion, whether the video at the end of the play as kitsch - kitsch is about fulfillment of expectations - to see or as ironic commentary bare, the piece is not out of the caliper its suggestive pattern entlassen.das quite insidious of the concept illustrates a quote of the aesthetic and philosophical Wolfgang Welsch, when he said something : the actual perception is never wrong - only in retrospect turn out to judge it as true or falsch.ich would like to close with a quote from CG Jung, the Gaston Bachelard in his 'Poetics of Space' and cites the alarming rate of as worthy of us considered perhaps erklärt.zitat piece: "The awareness is behaving like a man that is a suspicious noise in the basement to the attic and heard hurried in order to determine that none are thieves there. In reality, this cautious man but not married in the cellar "ms-tanzwerk has married in the cellar and deserved this recognition it has given us but also something from the cellar brought up with -... and that requires skill and can jury recommends that the production 'mental maps + patterns' as winners of the Stuttgart Theatre Award in 2006
source. tanznetz.de

Photos: Günter Kraemmer